what does paris think romeo is going to do (when he is at the vault)
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SCENE SUMMARY AND NOTES
Act V, Scene 3
Summary
This scene is set at night, in a graveyard with the sealed vault of the Capulets in the background. The effect of Juliet�south potion is beginning to wear off. Paris enters and places flowers on her tomb. He has posted a servant, some distance abroad, and told him to whistle if he sees anyone nearby. When he hears the page whistle, he steps into the dark. Romeo enters with Balthasar. He takes the pickaxe and crowbar from Balthasar and tells him to deliver a letter to his father. He plans to open the vault of Juliet, meet her face up, and take a band from her finger. He tells his servant not to interfere, but the broken-hearted Balthasar lingers nearby.
While Romeo is engaged in opening the tomb, Paris comes frontwards. He recognizes the killer of Tybalt, whose decease he reasons, was the cause of Juliet�s suicide. Paris demands that Romeo surrender and so that he can exist taken to the Prince for breaking his exile. Romeo, in no mood for a fight, begs Paris to exit him alone and then he will not have to commit another murder. Paris refuses and attempts to arrest Romeo, who defends himself. In the fight that follows, Romeo kills his opponent. The dying wish of Paris is that he be laid next to Juliet. Past then, his folio has run off to notify the regime of the killing.
To his shock, Romeo discovers that his opponent was Paris, whom he failed to recognize in the dark. He recalls Balthasar telling him about Juliet�s proposed wedlock to Paris. He accepts the dead homo as a fellow unfortunate and lays him in the tomb beside Juliet. When Romeo sees his true love, he is pleased that death has not destroyed her beauty. He fancies that death has fallen in love with Juliet and that he must jealously guard her against �the abhorred monster�! He kisses her, drinks the poisonous substance, and dies.
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Friar Lawrence enters the graveyard with the intention of opening the tomb. Balthasar sees him, but refuses to accompany him for fearfulness of his master. The Friar enters the tomb, and is shocked to find Romeo and Paris lying dead. Juliet stirs, comes to her senses, and immediately asks for Romeo. Friar Lawrence tells her sorrowfully of Romeo�due south death. He suggests that she join a sisterhood of nuns. Juliet spies her dead �hubby� with an empty loving cup of poison in his hand. She kisses his lips, snatches Romeo�s dagger, and stabs herself. She falls expressionless on Romeo�southward body.
Paris� servant returns with the city lookout. Balthasar and the Friar are arrested on suspicion of murder. Presently the Capulets and the Montagues get in with the Prince. The Prince orders the arrested persons to exist brought before him for trial. The Friar pleads not guilty and tells what has happened. The Prince reads Romeo�s letter to his father and realizes the truth of the Friar�s statements. And so, he rebukes the heads of the two opposing families for their enmity and holds himself responsible for not being severe in conveying out his orders for peace. The prince imposes no further penalties; the tragedy before them is sufficient punishment for them all.
Capulet then extends his hand in friendship to Montague, and each promises to raise a statue in gold of the other�s child. The Prince concludes that none has heard �a story of more woe than this of Juliet and Romeo.�
Notes
This last scene, containing the denouement of the play, is melodramatic in its series of tragic crises and its atmosphere of ghastliness. It is accordingly prepare at night in a graveyard. The three deaths that occur crusade a sense of full darkness, desolation, and despair. Fate, in one case again, has played its cruel hand in the death scene. Father Lawrence does not arrive in time to save Romeo, and Juliet does non awake in time to save him.
The scene is filled with irony. Juliet�s husband (Romeo) meets her fiancé (Paris) in the tomb of the woman that they both beloved. Paris has come to identify flowers upon the tomb of Juliet. Romeo has come to say his farewells to �the love morsel of the earth� and impale himself beside her. Paris, who has been hiding, watches as Romeo pries open the tomb. Thinking that Romeo is trying to exercise some villainous shame to Juliet�southward body, Paris challenges him. In the conflict that ensues, Romeo wounds Paris fatally. Paris makes a dying wish that his body be laid beside Juliet, which is what Romeo is planning to do for himself. Romeo then realizes that his opponent was Paris.
Romeo is adamant to reunite with Juliet in death and promises, �I volition lie with thee tonight.� When he sees that her cheeks are still blood-red and her beauty has not faded, Romeo fancies that Death has fallen in love with her, only as he has done. Earlier drinking his poison, he bids his eyes to have their final look, his arms to take their last embrace, and his lips to seal hers with a kiss. As Romeo dies by her side, Juliet begins to revive. The irony is obvious. If Romeo had not been and then hasty and impetuous, the lovers would have been united in life rather than in death.
When Friar Lawrence enters the vault and discovers the bodies of Paris and Romeo, he exclaims, �O sour misfortune!� At his words Juliet seems to wake; she immediately asks for her Romeo. The Friar tells her that a greater power than this has thwarted their interests. He suggests taking her to a sisterhood of nuns, but Juliet refuses, for death is on her mind. She kisses Romeo�s lips where some poison still hangs. Upon hearing some noise, she snatches her husband�southward dagger, kills herself, and falls upon Romeo. The star-crossed lovers are united eternally in expiry and the two families of Capulet and Montague reconcile over the dead bodies of the lovers, thus fulfilling the dream of Friar Lawrence and Prince Escalus.
The ending of the play brings well-nigh the concluding the working of fate. As Friar Lawrence suggests, the seeming bad luck of the delayed letter was in fact the intent of a mysterious college intelligence. Prince Escalus, too, finds a fateful meaning in the tragic effect. �Meet what a scourge is laid upon your fate,� utters as he admonishes the Montagues and Capulets. The prologue had foretold that the deaths of Romeo and Juliet would �bury their parents� strife�. Fate has made this come to laissez passer.
Throughout the play, love and hate are interrelated, most equally an oxymoron. Early in the play, Romeo calls, �O brawling love, O loving hate.� Juliet afterward echoes his words when she says, �My simply love sprung from my merely hate.� This paradox expresses a conflict that is oft found in humankind. Hatred seems to be a condition of homo�southward corrupted will, and it attempts to destroy what is gracious in human beings. The hatred between the Capulets and Montagues is what pushed Romeo and Juliet into secrecy and ultimately pb to their deaths. Through their love, but at a terrible price, Romeo and Juliet cause the hatred to be put bated. Ironically, their effulgence (they have both been described in terms of low-cal in the play) shines through in death to disperse the darkness of the hatred. At present the ii families must come to terms with their commonage guilt and resolve henceforth to be worthy of the sacrifice.
Throughout the play, the vocalisation of the prince has been the phonation of reason. He is a spokesman for public social club. To him is given the final speech promising both punishment and pardon, and it is he who sums up the paradoxical interdependence of beloved and hate. He is the spokesman for the restored order through which the families are reconciled. The last scene closes the play with a moral that the sin of enmity is punished with unnecessary death for some and misery for others.
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